Archive - page 4

  • Resistance to the National Narrative in Uruguay

    Las resistencias de la narrativa nacional en Uruguay | Widerstand gegen die Nationalgeschichte Uruguays

    The national narrative in Uruguay is much like its landscape, a continuum without abrupt changes. However, the demands of recent history are creating pressure...

    Resistance to the National Narrative in Uruguay
  • Time and History (in) of the Grand Coalition

    Zeit und Geschichte (in) der Großen Koalition

    The new coalition agreement was closely examined with a view to so-called future issues. But it is also noteworthy with regard to Public History – and to the historical classification of the present.

    Time and History (in) of the Grand Coalition
  • Bon Appétit: Food and Public History

    Bon Appétit: Cuisine et Histoire Publique | Bon Appétit: Essen und Public History

    Public history of food encompasses new interests in everyday life, family history, local memories, participatory model, and visitors’ wish to experience the past.

    Bon Appétit: Food and Public History
  • History Marketing online – DAX meets History

    History Marketing online – DAX trifft Geschichte
    Hannes Burkhardt, 2018, CC BY-NC-ND 4.0

    As part of marketing strategies, multinational corporations do not forego staging their history. It is permanently available on the company's own websites as an individual unique selling proposition.

    History Marketing online – DAX meets History
  • For what it is ‘worth’? Neoliberalism and Public History

    Worin besteht der ‘Wert’? Neoliberalismus und Public History

    This work arose from considerations of the relationship between Public History and the newly marketized UK University sector, mainly through focussing on the skills and impact agenda – neoliberalism on the ground.

    For what it is ‘worth’? Neoliberalism and Public History
  • Stamps Influence and Mirror Public History

    Briefmarken beeinflussen und spiegeln Public History
    "Basler Taube"

    History is everywhere – but it is not always easy to perceive it. A sharpened view is needed as the example of the "stamp" illustrates. Stamps are in fact an ideal window into history.

    Stamps Influence and Mirror Public History
  • Who Owns the Museum Narrative?

    Do kogo należy narracja muzealna czyli o pracy przewodników? | Wem gehört das Museumsnarrativ?

    Who owns the museum narrative? The museum and its management, or the public? Is there only one narrative with the management being responsible for its dissemination?

    Who Owns the Museum Narrative?
  • The Public Lure of History Education

    Η Δημόσια Γοητεία της Ιστορικής Εκπαίδευσης | Der öffentliche Anreiz der Geschichtsbildung

    There is a debate about the relationship between history didactics, public history, and historical culture. Historical culture is a learning environment for history didactics. It shows many different ways in which the past is recreated in the present.

    The Public Lure of History Education

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